Jan Brueghel The Elder

Flemish Baroque Era Painter, 1568-1625 was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. Nicknamed "Velvet" Brueghel, "Flower" Brueghel, and "Paradise" Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet. He was born in Brussels. His father died in 1569, and then, following the death of his mother in 1578, Jan, along with his brother Pieter Brueghel the Younger ("Hell Brueghel") and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578. He first applied himself to painting flowers and fruits, and afterwards acquired considerable reputation by his landscapes and sea-pieces. He formed a style more independent of his father's than did his brother Pieter the Younger. His early works are often landscapes containing scenes from scripture, particularly forest landscapes betraying the influence of the master forest landscape-painter Gillis van Coninxloo. Later in his career, he moved toward the painting of pure landscapes and townscapes, and, toward the end, of still lifes. After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill. Many of his paintings are collaborations in which figures by other painters were placed in landscapes painted by Jan Brueghel.


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Jan Brueghel The Elder Bouquet oil


Bouquet
Painting ID::  58285
Bouquet
Bouquet, painted 1603
Bouquet,_painted_1603
   
   
     

Jan Brueghel The Elder The Entry of the Animals Into Noah Ark oil


The Entry of the Animals Into Noah Ark
Painting ID::  58286
The Entry of the Animals Into Noah Ark
The Entry of the Animals Into Noah's Ark, painted 1613.
The_Entry_of_the_Animals_Into_Noah's_Ark,_painted_1613.
   
   
     

Jan Brueghel The Elder Allegory of Sight and Smell oil


Allegory of Sight and Smell
Painting ID::  66164
Allegory of Sight and Smell
1618 Oil on panel 175 x 263 cm (68.90 x 103.54 in)
1618 Oil_on_panel 175_x_263_cm_(68.90_x_103.54_in)
   
   
     

Jan Brueghel The Elder Landscape with Windmills oil


Landscape with Windmills
Painting ID::  66514
Landscape with Windmills
Landscape with Windmills, Oil on panel, 1607 34 x 50 cm (13 3/8 x 19 5/8 inches)
   
   
     

Jan Brueghel The Elder The Senses of Hearing, Touch and Taste oil


The Senses of Hearing, Touch and Taste
Painting ID::  67694
The Senses of Hearing, Touch and Taste
1618 Oil on panel 176 x 264 cm
1618_ _Oil_on_panel_ _176_x_264_cm
   
   
     

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     Jan Brueghel The Elder
     Flemish Baroque Era Painter, 1568-1625 was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. Nicknamed "Velvet" Brueghel, "Flower" Brueghel, and "Paradise" Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet. He was born in Brussels. His father died in 1569, and then, following the death of his mother in 1578, Jan, along with his brother Pieter Brueghel the Younger ("Hell Brueghel") and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578. He first applied himself to painting flowers and fruits, and afterwards acquired considerable reputation by his landscapes and sea-pieces. He formed a style more independent of his father's than did his brother Pieter the Younger. His early works are often landscapes containing scenes from scripture, particularly forest landscapes betraying the influence of the master forest landscape-painter Gillis van Coninxloo. Later in his career, he moved toward the painting of pure landscapes and townscapes, and, toward the end, of still lifes. After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill. Many of his paintings are collaborations in which figures by other painters were placed in landscapes painted by Jan Brueghel.

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